Snow was in the forecast but most of the day passed mildly. It wasn’t until just before evening that giant flakes began to fall. And fall. And fall. It wasn’t as cold as day one but it was a blizzard. Our location, near the fly fishing spot, is up a winding valley along route 63 north of Pecos. By wrap the snow had begun to stick and it the roads were getting icy. My precarious parking job from the morning left me with little other option than to abandon it for the night and catch a ride.

Day 4 was an easier day (I’ve begun to detect a pattern (bad day, good day, bad day, good day) with most of the work inside an old rustic cabin. The weather was sunny, at least while the sun’s trajectory crossed the small window of the valley, slipping away by 3 o’clock. The transo guys got my car free while I scurried around doing my regiment of 2 peoples work. The motions are getting smoother as Bayard (the mixer) and I fall into a groove. Battery, jam, wire. Point stick, suck up sound.

Today (noon call time – I’m writing this at a cafe before I go in), if my pattern is correct might be a rough day. Let’s hope I’m wrong.

I awoke this morning at 4:30(after a minor DST fubar). After yoga and an hour drive I land at a remote (ie. no cell service) valley wilderness along a river north of Pecos, NM. It’s cold and there is snow on the ground but soon the sun breaks over the mountainside. Taking high end sound & film gear out into remote areas scratches a particular itch in my novelty obsessed mind. Not quite sure what it is…
Regardless, soon the cameras are set along (or in) the river and I’m wading into the river alongside the actors, flyfishing. Pretty damn fun. Challenging, for sure. Between the angle of the sun creating shadows, the 2 guys casting their lines & dueling cameras at apposing angles & divergent lens sizes I am pretty well fucked most of the time. It is HARD. A hell of a fun challenge though.

After shooting in the river nearly all day we finally ‘move on’ to some driving stuff. This requires a major rework of the gear so I have to slip into geek mode. More fun. Wire the actors, build antennas on the roof rack of the mixers jeep, etc. etc. etc. I drive the jeep behind the car while he mixes.

Thankfully, due to the nature of sunlight in a valley, it is an early day (made even earlier by DST). Who knows what tomorrow will bring.

What crazed adventures stole me from my narrative duty? In a word, “life”. Mostly in the form of a small humanoid creature. Oddly though, work as well. Yes, meanwhile(as they say) I have been gainfully employed (mostly) on a feature film in Santa Fe. I say mostly in reference to the 3 weeks when the show was shut down because the funding necessary for us to shoot apparently “disappeared”. How does that happen? The mind reels. In the interim we were promised a return to work no less than 8 times. Needless to say, the previously upbeat mood of the crew on what had been up to that point a dream of a show took something of a hit. Alas, ‘never trust a producer’ is the prime directive of film work.

So here we are, the final two weeks of this funny little, slightly cursed picture. Shooting in the shell of an abandoned mall in ‘slightly less quaint than Santa Fe’ Albuquerque. At least it beats the heat. Perhaps something interesting will happen worth documenting (or perhaps my cozy little blog will insulate us from the assaults of reality and wrap us in obscurity).

But New Mexico is a long way from Peru. We’re four out of five days in on a shoot in nw nm filming in the alien landscape of the Bisti Badlands. Millions of years have eroded this once underwater dinosaur graveyard into the anomalous forms called ‘hoodoos’. Stunning and (cough, cough) dusty. Giant dust devils spontaneously appear and disappear, leaving destruction in their wake. Amazing and absurd, this process of movie making. Hard to imagine the place surviving our impact.

It’s the monday beginning week three on ‘Knockout’. We’ve been shooting a lot up in Los Alamos and today is no different. Thanks to the massive 8″ dump of snow yesterday I was late to an already pushed call (thankfully) of 2 hrs. On arrival I frenetically rushed to get the ‘pod car’ (pictured) wired and all the various acoustical gear together. These days with driving footage involved rigging the car first thing and then not seeing it again until lunch (Dennis & Eddie (mixer & boom) were riding in one of the two follow vans – no room for me). So here I am (again) holding down the camera truck – reading, surfing & blogging (finally).

Boyoboy. Just when I thought the week would pass relatively uneventfully, a major upheaval occurred midway through Friday(uh, last Friday). The mixer, the guy who hired me for this gig, got canned. There were, apparently, some technical issues with the sound he was sending to post. We knew this of course but we weren’t aware of the extent of the problem. As recent as Friday morning I was sending emails to post in a continued effort to troubleshoot what the heck we were doing that was causing such issues. Funny timing, I suppose. Anyway, it made for dark, dark Friday & especially the wrap, where, instead of loading the sound carts onto the camera truck as always, we pulled all the sound gear off the truck & loaded it onto a selerate truck. Made for quite a scene with the crew. Despite the fact that it was made clear that the boom & I were to stay, I couldn’t help feeling bad. Just leaves me with a bad taste in my mouth. Now I’m wondering if we’ll be back to square one with the guys in post.

Tried to get this post up while it was still “news” but the weekend was crazy busy & the week is worse. Anyway, on the fourth day with the new mixer the transition has been relatively smooth. Relatively.

If course, by mid-afternoon the wires have somehow degraded (sweaty actors, etc…) and have now gone all “rustly.” God I hate that. Anyway, I’ll be booming tomorrow & Monday (god willing) as Jeff is taking a couple days off. Should be a nice change of pace. Still, the future in this business, is entirely unpredictable.

6:00am start all over again

So that was Friday & we immediately had a much needed weekend. Today is Tuesday & the sound crew is started to catch our stride. NOT feeling an immenent fear of being fired anymore. We have spent the second half of the day back at the Q studios (where a lot of Book of Eli was shot) so it is nice to a) be in a familiar locale & b)be inside in the AC. By the way, did I mention it’s been nearly 100′ F in Albuquerque? Sheesh it’s been hot. We won’t be shooting on the stage a whole lot but it will be a welcome break when it happens (& gives me a glimmer of hope when contemplating the next 5 months).

The funny story about today happened when a baby was brought in for the scene. The (real) mother told me the baby had been born June 29 (the day before Griffin). That fact brought even further into relief the stark contrast between the scenes portrayal of a mother & newborn & the reality I experience at home. Perhaps it took me all these years to realize tv isn’t real. Huh, go figure.